When Katherine first arrives in the studio the night of the shoot I have her undress and wear a black leather bikini as a punctuation to her skin (#1). To me, Katherine is a living, breathing Alan Jones sculpture. She's tall, she's perfectly proportioned, and her skin color is magnificent. I ask her to extend out her rounded ass and to push her pert breasts forward and breath in, her rib cage pronounced (#2). By keeping her feet together she becomes an exclamation point (#3).
